This will just be a fairly quick posting, as I don’t seem to have much time at the moment, but want to keep my blog alive! One reason I have picked William A Wellman to write about so much is that I tend to find his films are enjoyable to watch time and again. This is certainly true of Roxie Hart, which was actually the second of three movie versions of the Chicago story, based on the stage play by Maurine Dallas Watkins. Fans of the smash hit musical should be interested to see this earlier version of the same story, starring Ginger Rogers as showgirl turned celebrity criminal Roxie Hart. Interestingly it already feels like a musical, with a great scene where Rogers and the press corps tap dance around the prison.
After seeing Borzage’s Depression drama Man’s Castle, I was keen to see more of his pre-Code work – and, having now seen A Farewell to Arms twice, must say I think it is a masterpiece. I’ll admit that I don’t remember Hemingway’s novel very well and am not sure how much resemblance the film bears to the book (not much, according to Hemingway himself, who was unimpressed). But, if you don’t worry about comparisons with the printed page, the film itself is powerful – with great performances from both Gary Cooper and top-billed Helen Hayes, Oscar-winning cinematography by Charles Lang, and a blend of wild romance and dark, unsentimental depictions of war and suffering.
When seeking out this film, it pays to be careful which version you watch. There are a lot of public domain DVDs around containing a censored version from a later cinema release, cutting out 10 minutes of footage, including two sexual encounters which are vital to the plot. I ended up watching the film in this mutilated form to start with, and was confused by how much it jumped around in the early scenes – and also by the fact that some conversations made no sense. However, when I looked up some information about the movie, all became clear. I realised that it was in fact 89 minutes long, and what I had seen was a 79-minute version cut to remove the pre-Code content.