Don’t be misled by the title – though MGM probably hoped people would be. There is nothing very glitzy about this movie, not all that much pageantry, and the only “king” featured is Fred Astaire in a pasteboard crown for the opening musical number.
For the most part, the royal wedding, of Princess Elizabeth and Prince Philip, is just a backdrop, and the film was released as Wedding Bells in the UK to make it clear the royals didn’t actually feature. The main story is an amusing and occasionally poignant backstager partly based on Astaire’s own early career, when he and sister Adele were famous dancing partners until she retired from the stage to marry a British aristocrat. However, the story is probably secondary to the stunning dance numbers, including the famous one where he dances up the walls and around the ceiling. Jane Powell ‘s beautiful singing voice is another definite plus to this movie, which has songs by Alan Jay Lerner and Burton Lane and a screenplay by Lerner.
My Fair Lady has one of the greatest scores of any musical, by Lerner and Loewe, with many songs which have become standards, such as With a Little Bit of Luck, Wouldn’t It Be Loverly and On the Street Where You Live. It is also one of the most gorgeous musicals to look at, making full use of Super Panavision, with its dazzling Cecil Beaton costumes and colourful sets. It wasn’t filmed on location in London, but Covent Garden flower market and the dingy back streets look convincing enough to me, while scenes like the Embassy ball and Ascot have all the visual flamboyance you’d expect from director George Cukor, aided by art director Gene Allen. Yet this celebrated film was allowed to deteriorate into a sorry state and needed full-scale restoration by the mid-1990s. The DVD I have, part of an Audrey Hepburn box set, features the restored print, looking great, plus several special features – and there are also a couple of different two-disc special editions available, as well as a region 1 Blu-ray. But what I’d really like would be to see this on the big screen some day.
This was one of the first musicals that I came to love, as a child of the 1960s. But the version I knew back then was the soundtrack of the Broadway show, starring Julie Andrews as Shaw’s Cockney flower girl Eliza Doolittle, whose life is transformed when eccentric phonetics expert Henry Higgins decides to teach her to speak “like a lady”. My mother had a copy of the LP which someone had brought back for her from America (it wasn’t allowed to be sold in the UK at that time, presumably for copyright reasons), and we listened to it endlessly. So when I hear anyone else singing those songs, I still always have Julie’s voice in the back of my head somewhere.