I didn’t have time to update my blog yesterday and, realistically, my blogging might be a bit hit and miss now as Christmas arrives, but I will try to write new postings as frequently as possible, even if my Dickens in December season ends up stretching into January. Just a few thoughts today on one of the greatest of all Dickens films.
In every adaptation of Great Expectations that I’ve seen (and there have been many, including two in the past year alone, both of which were disappointing, to me anyway), the beginning is one of the best scenes. The sight of the convict looming from behind the tombstone always makes a powerful impression – and its sense of danger is always there in the background behind everything that follows. However, the most unforgettable version of this opening on screen has to be the first scene of David Lean’s famous film, with young Pip (Anthony Wager) running across the windswept Kent marshes, and enduring his nightmare encounter with Magwitch (Finlay Currie).
Although I’d never seen Brief Encounter in full, I thought I knew what it would be like. I’d seen various short clips, and gained an impression of the impossibly posh, clipped voices, the emotional repression and the strained nobility of behaviour. I’d also seen the scene in Alan Bennett’s The History Boys which gently mocks the poignant final moments.
However, none of this gets anywhere near the experience of watching the film as a whole. This year I went on a visit to Carnforth in Lancashire, where the famous railway scenes were filmed. I saw the opening scenes of the film on a large screen in the waiting room at the museum there, where it seems to be shown on a loop – and, getting hooked on the story within minutes, quickly realised it was very different from the impression of it I’d acquired. I now have the DVD (the region 2 version which sadly doesn’t have a commentary, though it does have a featurette going behind the scenes), have watched it in full a couple of times, and am full of admiration.