Frank Loesser’s amazing score for Guys and Dolls has to be one of the greatest ever written, packed with unforgettable songs, from Fugue for Tinhorns to Luck, Be a Lady and SitDown, You’re Rockin’ the Boat. Michael Kidd’s fast-moving choreography in the colourful street scenes, using Cinemascope to its full effect, adds to the atmosphere, while the dialogue is full of sharp one-liners. However, the film has had much adverse criticism over the years.
So what’s the reason for the widespread lack of enthusiasm? I think it might be mainly that the stage musical is so beloved and frequently revived, with the film coming off second-best by comparison . As with so many adaptations, a few of the songs from the stage show were jettisoned for the film, including such greats as I’ve Never Been in Love Before – Marlon Brando, controversially cast in a singing role, is said to have struggled with some of the notes. However, as compensation, Loesser wrote some new songs for the film, including A Woman in Love for Brando and Sinatra’s show-stopper Adelaide, which, going full circle, is now sometimes included in stage productions.
I already knew Frank Sinatra was a good actor, after seeing his impressive supporting performance in From Here to Eternity. However, I didn’t realise quite how good until seeing him in this little-known noir thriller, directed by Lewis Allen, where he just burns up the screen as a hired assassin out to kill the US President.
I’ve read on various websites that Sinatra had the movie withdrawn from circulation after the assassination of JFK because it was reported that Lee Harvey Oswald had watched the film just days before carrying out the killing. However, there’s a comment at the imdb saying that Sinatra in fact had nothing to do with the decision to withdraw the movie. In any case, there are one or two chilling similarities, especially in the scenes with a sniper standing at a window – and it’s easy to see why there might have been little appetite for watching the movie after the real-life tragedy.