Tag Archives: Martita Hunt

Bunny Lake Is Missing (Otto Preminger, 1965)

This is my contribution to the Diamonds and Gold blogathon, which is looking at actors and actresses later on in their careers. Please do visit and read the other contributions! This piece is also the (somewhat belated) launch of my projected series of reviews about films starring Laurence Olivier – I aim to write about a few more between now and early May.

Laurence Olivier and Carol Lynley

Laurence Olivier and Carol Lynley

When it comes to his film career, Laurence Olivier is of course best known for his classic roles, including his great Shakespearean performances. He’s certainly not the first person you’d think of to play an ageing police superintendent in a 1960s thriller set in swinging London, and featuring a pop group like The Zombies! However, that’s just what he does in Otto Preminger’s Bunny Lake Is Missing, a  compelling Hitchcock-style thriller in black and white which had me on the edge of my seat. I won’t be giving away any of the later plot twists in this review, as it is the sort of film where the shocks are all part of the experience. (Preminger copied Hitchcock with Psycho by decreeing that nobody could be admitted to the cinema after the film had started.) As well as featuring Olivier, it also has highly enjoyable late-career performances from Noel Coward and character actress Martita Hunt, best-known for her portrayal of Miss Havisham in David Lean’s Great Expectations. Yet another plus is an early role for Anna Massey. The film is available on DVD in both region 1 and region 2

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Great Expectations (David Lean, 1946)

Great Expectations 1946 8

I didn’t have time to update my blog yesterday and, realistically, my blogging might be a bit hit and miss now as Christmas arrives, but I will try to write new postings as frequently as possible, even if my Dickens in December season ends up stretching into January. Just a few thoughts today on one of the greatest of all Dickens films.

In every adaptation of Great Expectations that I’ve seen (and there have been many, including two in the past year alone, both of which were disappointing, to me anyway), the beginning is one of the best scenes. The sight of the convict looming from behind the tombstone always makes a powerful impression – and its sense of danger  is always there in the background behind everything that follows. However, the most unforgettable version of this opening on screen has to be the first scene of David Lean’s famous film, with young Pip (Anthony Wager) running across the windswept Kent marshes, and enduring his nightmare encounter with Magwitch (Finlay Currie).

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