A Woman of Affairs (Clarence Brown, 1928)

A Woman of Affairs 5

This is my contribution to the Silent Cinema Blogathon being organised by Crystal of The Good Old Days of Classic Hollywood. Please do take a look at the other postings – a lot of great films are being covered. 

Greta Garbo made her name as a goddess of silent film. Yet, today, her silents are far harder to see than her talkies – especially in the UK, where I don’t think a single one of her silent films is available on DVD, except on import. I’d love to see a boxed set of her silents released, since the few I’ve managed to see are excellent.  A Woman of Affairs is no exception, featuring a luminous performance by Garbo, with her ever-changing expressions conveying her emotions with no need for words. Sadly, it has only ever had home video releases on VHS and laser disc, but it was available on Youtube at the time of me writing this posting.

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Take Five: Happy New Year!

A Happy New Year to all readers of my blog, and thanks very much for your support, visits, comments and ‘likes’ during 2014. I’m hoping to post a bit more regularly here over the coming 12 months, so watch this space.

A while back, I launched a series of mini-reviews mentioning 5 films on a particular theme – I’m now resurrecting the idea for a quick look at some movies about New Year, in no particular order.

Cavalcade 81. Cavalcade (Frank Lloyd, 1933): I’ve just got round to watching this pre-Code, an adaptation of a stage play by Noel Coward which revolves around a series of tableaux centred on momentous events in British life. It begins with New Year’s Eve at the dawn of the 20th century, and runs through to New Year’s Eve 1933.  The way it blends together the story of two families above and below stairs clearly shows the way forward to TV series such as Downton Abbey and Upstairs Downstairs, while the intensely-felt central performance of Diana Wynyard as an aristocratic mother at times reminded me of Celia Johnson in Coward’s later classic, Brief Encounter. I really enjoyed it, despite the fact that many people don’t. Anyway, yes, it is episodic, but what great episodes. Also, the music is excellent, especially Ursula Jeans’ performance of Coward’s song Twentieth Century Blues – even if you don’t want to see the whole film, just treat yourself to this clip!

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The Only Way (Herbert Wilcox, 1927)

Martin Harvey 1I’ve finally been lucky enough to see The Only Way, the British silent adaptation of A Tale of Two Cities, which sadly isn’t on DVD – but is available to see in BFI mediatheques in the UK, and also via the web for universities and colleges and in some libraries. I’ve written to the BFI asking them to release it on DVD and saying that I’m sure a lot of Dickens fans would be interested to see it, but I won’t hold my breath! I wrote a short posting mentioning this film last December during my Dickens season, and posted a great photo of the star, Sir John Martin-Harvey. Some good discussion about the movie followed on, which made me even more determined to see it.

Now I’ve actually bought two photos of him in the role on Ebay and am posting scans of them here – they are both postcards, and I love the fact that, on one of them, someone has written “In sweet remembrance, JOCD.” (Not entirely sure about those initials.) All that is on the other side of the photo is the address, to a Miss D Dennis in London’s Notting Hill. The romantic in me is now wondering if a spurned lover sent this to his beloved, comparing himself to Sydney – or was it one fan sending it to another in “sweet remembrance” of seeing the  play? Or does the ‘CD’ refer to Dickens? Who knows. Anyway, the postcards are clearly from the stage play, which toured Britain for around 30 years, rather than the film, as Martin-Harvey is much younger and not yet knighted.

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The Scarlet Letter (Victor Sjöström, 1926)

This is my contribution to the Gish Sisters blogathon, being organised by  Movies Silently and The Motion Pictures blogs. Please note I will be discussing the whole plot of The Scarlet Letter, both the film and the book.
The Scarlet Letter 9Great Swedish director Victor Sjöström’s The Wind (1928) is regularly hailed as one of the very greatest silent films. However, The Scarlet Letter, a movie he made just two years earlier with the same screenwriter, Frances Marion, and the same main stars, Lillian Gish and Lars Hanson, tends to be strangely overlooked. Yet, for my money, his adaptation of Nathaniel Hawthorne’s classic novel is another masterpiece – and, as with The Wind (which has at least had a Spanish release), I can hardly believe there isn’t a DVD available.

It is about time Sjöström and Gish got the recognition they deserved, and  that both these great films were released on DVD, and preferably Blu-ray too. Sadly, the only way I could see The Scarlet Letter was on Youtube, where the picture quality wasn’t very good – but the film’s astonishing power shone through all the same. (It is occasionally shown on TCM in the USA, but I don’t think it is ever screened on TV in the UK, where I live.)

Portraits by Jenni has also reviewed The Scarlet Letter for the blogathon and her review includes a fascinating account of how Lillian Gish campaigned for the film to be made and how it was her project all the way. I won’t go over all this ground again, but please do read Jenni’s posting.

During filming for MGM, Lillian Gish and Lars Hanson acted their parts in English and Swedish respectively – something which was possible in the silent era – but you would never know that by watching. They both give great performances as the heroine, Hester Prynne, and the tortured young clergyman, Arthur Dimmesdale, while another fine actor of the era, Henry B Walthall, dominates several scenes as the vengeful Roger Chillingworth. (His name exactly suggests his chilling personality.) Gish  expresses her character’s suffering and passion through her eyes, as she also does in The Wind.

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John Martin-Harvey as Sydney Carton in ‘The Only Way’ (1927)

I’d been hoping to write about the 1927 British silent film The Only Way, based on A Tale of  Two Cities, as part of my series of Dickens postings – but so far I haven’t managed to see this film. The BFI does have it available to watch online but only to registered universities/colleges and libraries – my local libraries are in the process of registering, but this is likely to take a while.

However, though I haven’t managed to see the film as yet, I couldn’t resist sharing this photograph of the film’s star, Sir John Martin-Harvey, as Sydney Carton. He had also played the role on stage many times and there are many striking photos and even paintings of him as Carton online.

the only way

I will hope to write more about this film in future when I finally get a chance to see it!

BFI’s taster for silent Dickens – and lamentations over lost films

Thanks so much to everyone who has shown an interest in my Dickens in December series of postings. I’m getting the impression that quite a few people are particularly fascinated by the silent adaptations – it is amazing to realise that there were around 100 silent films of his works during that era, though many have sadly been lost.

I don’t have all that much time tonight, but thought I’d share a link to the BFI’s taster for the surviving Dickens silent films. This has left me very keen to see the adaptation of  David Copperfield made in 1913 by Thomas Bentley, which is said to be the second oldest feature-length British film (I don’t know what the very oldest was!)  There are a few minutes of footage included on the Dickens Before Sound DVD, but I now really want to see the whole thing.

Luckily, the 1913 British film of David Copperfield does survive complete, although it hasn’t been released on DVD, so I should hopefully be able to get hold of it at some time.

However, there are many other lost or unavailable silents which I would love to see. For instance, a 1914 two-reel version of Martin Chuzzlewit with Alan Hale, so great as a supporting actor in many 1930s Warner films, playing the young Martin – this is said to survive in George Eastman House’s collection, so it may emerge at some time, but it may remain as just a tempting thought. There were also two versions of The Chimes made the same year, now lost, as well as a Hard Times in 1915, a Great Expectations in 1917 – and the list goes on. Another one I’m especially sorry not to get a chance to see is A Tale of Two Cities from 1922, starring Clive Brook as Sydney Carton.  There are plenty of Dickens adaptations which are available and which will keep me busy for ages, but it is sad to think how much has been lost. I’ll once again link to the excellent page at The Bioscope blog which lists all the silent Dickens productions that were made, both those which still exist and those which are gone forever.

Oliver Twist (Frank Lloyd, 1922)

Oliver Twist 1922 1After watching Frank Lloyd’s early silent feature A Tale of Two Cities (1917),  I couldn’t resist taking a look at the second Dickens silent he directed five years later. This one is much better-known, because it has a more famous cast, headed by Jackie Coogan as Oliver and Lon Chaney as Fagin – and it is also available on DVD (it is the centrepiece of the BFI’s region 2 DVD Dickens Before Sound, and I believe there are other releases too) as well as online. Here’s a link to a Youtube version for anyone who would like to watch it online, but, be warned, the musical soundtrack for this version is extremely repetitive! I’m puzzled by the  poster shown left which mentions a song, but I suppose there must have been one played at the original showings.

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