Midnight Mary (1933)

Loretta Young and Una Merkel

If you like either William Wellman or Loretta Young, I’m prepared to bet you would love this dazzling pre-Code film. Made at MGM, it blends that studio’s sexy glamour with Warner-style grit, and moves at a cracking pace to cram so much into just 74 minutes, with fast, witty dialogue and not a scene or a moment wasted.

I find myself grouping this one together with the slightly earlier film I’ve just reviewed, Frisco Jenny, since both are tales of women driven to murder, showing what took them to that point and culminating in the courtroom. (I also think of them together because they share a DVD in the Forbidden Hollywood Collection: Volume 3 box set.)  However, for me Midnight Mary is the more powerful movie of the two – and it is also more fun.

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