Fred Astaire and Ginger Rogers

This is my contribution to the Dynamic Duos in Classic Film Blogathon hosted by Once Upon a Screen and Classic Movie Hub. Do check out the other postings, which cover a wide range of artists.

Facing the music

Facing the music and dancing

If there is any one dance number which sums up the appeal of Fred Astaire and Ginger Rogers, perhaps it’s Let’s Face the Music and Dance, as it serves up glamour, romance and laughter in the face of despair. At the start of the number, Astaire plays an elegant gambler on board a ship. He loses all he has left at the tables and is about to shoot himself – but that’s when Rogers appears at the side of the deck, trying to throw herself off. Somehow she indicates with her eyes alone that the reason is a broken love affair.  They save each other, as he pulls her back from the brink and she snatches his gun, which he then throws into the sea, followed by his empty wallet. Next Fred starts to sing Irving Berlin’s song, with those opening lines which are almost like an Astaire-Rogers movie in miniature: “There may be trouble ahead/ But while there’s moonlight and music/ And love and romance/ Let’s face the music and dance.”

And they do dance, of course, fitting into each other’s movements with an apparently effortless perfection that  takes your breath away, however many times you’ve seen it. Fred is in his famous tails (after wearing a sailor’s uniform for much of the movie in question, Follow the Fleet) and Ginger wears an evening dress with a fur stole draped around her shoulders. The cruise ship and casino are a world away from most people’s reality and yet the whole number is informed by the experience of the Great Depression which the audience was still living through in 1936. Dance now, pay later.

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