This is my contribution to the Barbara Stanwyck blogathon being organised by Girl with a White Parasol, which features a great range of postings going right through her career.
Barbara Stanwyck and Johnny Russell
Sacrificial mother love was a persistent theme in 1930s melodramas – and Barbara Stanwyck played several roles of this kind, most famously in the classic Stella Dallas (1937). The following year she was cast as a mother suffering for her child once again in Always Goodbye (1938), which isn’t one of her best-known pictures, but does feature another great performance. Did she ever give anything less? Another plus is that it casts Stanwyck opposite Herbert Marshall, whose voice adds so much to the power of every role he plays.
Always Goodbye was a remake of a pre-Code film starring Ann Harding, Gallant Lady (1933). I would like to see that one too, especially as it was directed by Gregory La Cava. Like the Stanwyck film, it isn’t available in the UK , but has had DVD releases in the US and elsewhere, so I may be tempted to buy it on import. If you’ve seen the La Cava version, I’d be really interested to hear your thoughts on how the two compare.
I saw in the New Year with yet another 1930s William Wellman movie which isn’t available on DVD! After seeing this one twice, I can hardly believe that it hasn’t had an official release. It is a highly entertaining romantic comedy-drama and has close links with Wellman’s Oscar-winning A Star Is Born, released the following year. Both movies star Janet Gaynor in similar roles as a young girl desperate to escape from a stifling small-town existence – and there are certain similarities between Robert Taylor’s character in Small Town Girl and Fredric March’s famous role as Norman Maine, not least the fact that both characters are heavy drinkers. As if that wasn’t enough, this movie also features a scene-stealing support role from a very young James Stewart. Fortunately, Small Town Girl seems to be shown quite often on TCM in the US and at the moment it is also available for viewing on a very popular video streaming website.
The basic plot of this film sounds very cliched, about a couple of strangers who get married in haste on a drunken night out and then have time to repent at leisure – but end up falling in love instead. However, the movie itself is far quirkier, funnier and more bitter-sweet than this plot description might suggest. According to the TCM website, Wellman was only brought in on the project by MGM quite late on and wasn’t very happy about making the film, asking to be replaced as director at one point. Their article also says he didn’t get on very well with Gaynor at first, because she was uneasy about his liking for slapstick-style scenes. However, as they went on to work together again so soon on A Star Is Born, with its wildly slapstick plate-smashing scene, presumably the two of them got over this and achieved a good working relationship.