I’m returning to the director whose career I’ve been intermittently following on this blog, William A Wellman – and to another famous movie, which has a lot in common with its predecessor, A Star Is Born, though this time the emphasis is on satirical screwball comedy rather than tragedy. Nothing Sacred stars Carole Lombard as Hazel Flagg, a lively young woman fed up with her monotonous small-town existence. She is wrongly diagnosed as dying from radium poisoning, and brought to the big city by New York newspaper reporter Wally Cook (Fredric March) for a final fling. But just how long can a final fling last?
To be honest, I don’t feel Nothing Sacred has worn quite as well as A Star Is Born, but the problem may simply be that I had already seen it a couple of times in the past and watched it again this time on the back of repeat viewings of Small Town Girland A Star Is Born – plus other directors’ versions of the Star Is Born story. So it’s likely that I had slightly overdosed on portrayals of women desperate to escape from small towns by the time I got to this one. Also I think Wellman’s melodrama often grabs me more than his comedy. Anyway, this celebrated movie is definitely worth seeing and is a must for Carole Lombard fans, as she gives a sparkling performance.
Ceiling Zero is among the films in the BFI Howard Hawks season
I was excited today to discover that the British Film Institute in London has a comprehensive-looking Howard Hawks season coming up in January. The list of movies is on their site with an introduction by David Thomson. It will include Hawks’ earliest surviving film, Fig Leaves (1926), and other silent rarities, as well as early talkies like The Criminal Code (1931) and many better-known films from the rest of his career. As well as the silents, I’m also extremely tempted by the thought of seeing my favourites like The Crowd Roars (1932) and Ceiling Zero (1935), both starring James Cagney, as a troubled racing driver and womanising pilot, or Twentieth Century (1934), with John Barrymore and Carole Lombard – or The Dawn Patrol (1930), starring Richard Barthelmess, on the big screen. Realistically, as it is a long way to London, I’m not likely to be able to see more than one or two of the wonderful array of films, but will report back on this blog on whatever I do manage to see, anyway!
The BFI has also got what sounds like a great Frank Capra season running at the moment. On top of its programme of showings, it has ongoing appeals to restore nine rare early Alfred Hitchcock silent films and to find 75 “most wanted” lost British films – including missing features starring Errol Flynn, Laurence Olivier, Dorothy Gish, Peter Lorre, James Mason, Phyllis Calvert and many more famous actors, and also including work by directors such as Hitchcock, again, and Michael Powell. I don’t know if they have had any luck in digging up copies of any of these missing treasures, but here’s hoping.