I’m still on the blogathon trail! This is my contribution to the Animals in Film Blogathon, which is being hosted by Crystal of In the Good Old Days of Classic Hollywood. Please do go along and look at the other postings.
Horse-racing tale Broadway Bill was clearly a story which meant a lot to Frank Capra. After being dissatisfied with the film first time around, he remade it 16 years on as Riding High. The original film was then thought to be lost for many years, before resurfacing in the 1990s. I thought it would be fun to compare the two for the blogathon, as I’ve already done with another Capra film that he remade, Lady for a Day and Pocketful of Miracles. However, I hadn’t quite realised just how similar the two versions of Broadway Bill would be!
Broadway Bill is available on DVD in both region 1 and the UK/region 2. The print on the region 2 DVD I watched is grainy and doesn’t look very good, although it’s said to be restored. Riding High is available from Warner Archive in region 1 and there is also a Spanish region 2 DVD, but I watched it via streaming at Amazon.co.uk, where the picture and sound quality were good.
The story, scripted by Robert Riskin, centres on a charming drifter, Dan Brooks (Warner Baxter). He has married an heiress and uneasily settled down in her small home town, Higginsville, where every business in sight is owned by her dad, overbearing banker J.L. Higgins (Walter Connolly). Shades of Pottersville in It’s a Wonderful Life – though Higgins doesn’t quite have Potter’s evil glee!
I’ve been meaning to write about one or two more obscure pre-Codes that I’ve seen in the last few weeks, but haven’t got round to it and my memory of some of them is already starting to fade. So here is a short posting on one of these, Big City Blues, starring Joan Blondell and with an all-too brief, though memorably violent, appearance by an uncredited Humphrey Bogart. Sadly, this movie isn’t on DVD as yet, though it is yet another one that we can hope Warner Archive may release. This posting is mainly an excuse to post the pictures and posters I’ve gathered together of this film.
This film, a predictable tale of a young man from the country who finds New York life too much for him, is really a very slight offering, at only 65 minutes. However, having said that, anything featuring Bogart or Blondell surely has an interest, while director LeRoy also has a following, and went on to do a great job on the better-known Three on a Match and I am a Fugitive from a Chain Gang. Big City Blues is also worth looking out for its typically gritty Warner Brothers’ portrayal of New York City life in the Great Depression. I saw this around the same time as Alfred E Green’s Parachute Jumper, an early Bette Davis film made the following year, and the two have slightly blurred together in my mind. Between them, the two give a picture of rootless young people wandering round the big city in search of a living, a good time, or just a meal.
It seems to me as if 1931 was a great year for William Wellman. He made five films that year, four of which I have now seen and loved – including his masterpiece The Public Enemy. (I hope to write about that one in due course, but am slightly daunted by its fame and the amount which has been written, so thought I’d watch and write about a lot of his other 1930s movies first to see if they give me any different perspective on the film.)
The others I’ve seen from that year are Other Men’s Women, Night Nurse and now the melodrama Safe In Hell, starring Dorothy Mackaill and Donald Cook, which is one of the best yet. It’s a pity Warner didn’t find room for it in their Forbidden Hollywood 3 set, but I suppose the fact that it doesn’t have a big-name star worked against it. Perhaps it will turn up in their Archive series. At present it is only available via the “grey market” and by downloading, though I gather it is sometimes shown on TCM in the US.