This is my contribution to the Journalism in Classic Film blogathon organised by Comet over Hollywood and Lindsay’s Movie Musings – please do visit and read the other postings.
Many 1930s films about journalists are set in big city newsrooms, with multiple editions hitting the streets all through the day. Some even feature several rival newspapers battling for stories, and whole packs of reporters jostling to be first with the news. Pre-Code romantic melodrama I Cover the Waterfront is rather different. Ben Lyon stars as Joe Miller, a young journalist with a lonely and unglamorous job covering the ships which arrive and depart on an unnamed Californian waterfront. As author Max Miller wrote in the book of real-life stories which inspired the movie: “I have been here so long that even the seagulls recognise me.”
Inevitably, the apparently sleepy backwater soon turns out to be anything but, as Joe manages to dig out a sensational story, and finds himself caught in a moral dilemma to rival any in those big-city films. He deliberately sets out to romance Julie Kirk (Claudette Colbert) in order to get the dirt on her criminal father, fisherman Eli, who is smuggling Chinese immigrants into the country… but soon realises he is in danger of breaking her heart, along with his own. The result is a powerful drama where the investigative reporter is a hero, but his determination to nail his scoop at any cost also has its dark side.