What Price Hollywood? (George Cukor, 1932)

Constance Bennett, Lowell Sherman and Gregory Ratoff in What Price Hollywood?

I’ll admit I originally wanted to see What Price Hollywood? because I knew it was an important influence on William A Wellman’s masterpiece A Star Is Born, released just five years later. (David O Selznick produced both films and they have the same basic story.) But, having watched George Cukor’s pre-Code twice, I now see it as a fine film in its own right, with compelling performances by both Lowell Sherman and Constance Bennett and wonderfully sharp, witty dialogue. I know I’m always moaning on this blog about 1930s movies not being available on DVD, but it is particularly frustrating that this one hasn’t been released as yet. I can only think that it is because none of the lead actors are household names, and, although Cukor is a celebrated director, he isn’t one of the very few who get box sets devoted to their work.

This is one of the first films where Hollywood eats itself, and it is often said to be harder-edged and more disillusioned with the world of showbiz than either Wellman’s A Star Is Born or Cukor’s own remake. However, before the disillusion sets in, it does fully show the glamour and seduction of Hollywood, with an extraordinary opening scene where Mary Evans (Constance Bennett), alone in her bedroom, is eagerly reading a fan magazine and imagining she is Greta Garbo in a clinch with Clark Gable. She is clearly in love with the whole idea of Hollywood, not just the handsome actor, as she devours ads for make-up and stockings which have been given the seal of approval by beautiful starlets.

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Topper (1937)

I watched this movie more or less on the spur of the moment. To start with I didn’t know anything about it, and assumed it would be realistic, like most 1930s movies I’ve seen.  So I was surprised to discover that in fact it is a comic fantasy, based on a novel by Thorne Smith, who also wrote the book which inspired hit TV series Bewitched.

topper1

The plot revolves around a rich, carefree  young couple, George (Cary Grant) and Marion (Constance Bennett), who die in a car crash. They find themselves marooned on earth as ghosts, until they can do a good deed to ensure their entrance into heaven. They decide to help a friend, strait-laced banker Cosmo Topper (Roland Young) to enjoy life and stop being so stuffy – but a lot of their ideas turn out to be the sort of help he could do without.

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