This piece is my first contribution to the Sinatra Centennial blogathon, which I’m proudly co-hosting with Emily at The Vintage Cameo. I’m also hoping to put a second piece up before the event ends on Sunday!
They might have only co-starred in two movies, but Frank Sinatra and Bing Crosby loom large in each other’s legend. Sinatra took inspiration to start out on his singing career from Crosby’s success, while Bing jokingly spoofed Frank on film. Although best-known as singers, both were also Oscar-winning actors. They appeared together on radio and TV over the years, most famously in the TV special Happy Holidays with Bing and Frank, which has recently been resurrected – and is perfect festive viewing for Sinatra’s Centennial.
According to a biography of the young Sinatra I read a few years ago, Frank: The Making of a Legend by James Kaplan, the young Frank had a picture of Bing on his wall and wore the style of cap favoured by his idol. Once Sinatra started to make a name for himself as a singer and followed Crosby into films, comparisons were soon being made between the two.
Director Vincente Minnelli created one of the warmest portrayals of American family life on film in the great musical Meet Me in St Louis (1944). But he gives a very different, darker take on families in Some Came Running, a 1950s melodrama which tackles the type of subject matter that Douglas Sirk made his own. The colour is gorgeous (or at least I assume it was originally – the DVD I have in the Frank Sinatra: The Golden Years collection looks a little faded at times), and there are many Cinemascope set pieces, including a glossy dance scene. However, the town’s idyllic appearance is constantly undercut by suggestions of the backbiting and nastiness just beneath the surface of life in the fictional Parktown.