This great romantic melodrama from Douglas Sirk shares a lot with his film from the previous year, Magnificent Obsession. It has the same intense Technicolor, combining with music from Frank Skinner to give a dream quality, and much of the cast is the same, including leads Jane Wyman and Rock Hudson. However, for me this film is even more powerful than its predecessor, partly because the plot is not so far-fetched – stemming more from the characters without so many exterior twists.
The story of this film can in some ways be seen as a role reversal take on Magnificent Obsession. In the earlier movie, Rock Hudson played a rich character who had to embrace a whole new philosophy and change his way of life for the sake of love. This time around, it’s Jane Wyman who has to follow a similar path. She plays Cary Scott, a well-off but lonely widow who doesn’t have enough to do now that her children are grown up. It looks as if the only life she can have now is one revolving around an empty succession of cocktail parties and country club meetings. When her children visit, they seem extremely keen to consign her to a premature old age (Wyman was still in her 30s here, though the character is clearly older), complaining if she wears a low-cut dress and apparently hoping she will make a “suitable” marriage to the staid, boring Harvey. Their solution for her loneliness is to order her a TV set, even though she doesn’t want one. The television set and the layers of ornaments all seem like so many ways of trapping her in a gilded cage.