I’ve been getting increasingly interested in the Barrymores recently and watching a lot of their films, so I want to write about some more of them here. Glossy drama Grand Hotel is one of three films made in 1932 which starred brothers John and Lionel together – the others were Arsene Lupin, which I have seen but only in almost unwatchable bootleg form, and spectacular historical epic Rasputin and the Empress, also starring sister Ethel.
By far the greatest of these three is Grand Hotel, a breathtaking MGM drama – and one of the first films to boast an all-star cast. Greta Garbo got top billing, with her name given in the cast list simply as “Garbo”, while the two Barrymores, Wallace Beery and Joan Crawford were the other big star names. The film had a huge budget for the time, estimated at 700,000 dollars, and was a smash hit – one of the special features on the Warner DVD, which is included in a Joan Crawford box set, shows excited crowds turning up for the premiere and breaking through a police cordon to swarm towards their favourite stars.
Earlier this year, I reviewed Howard Hawks’ first sound movie, The Dawn Patrol (1930), a powerful tale of a group of British First World War pilots waiting in their small, temporary HQ near the frontline in France, to be sent off in batches to an almost certain death.
Since then, I’ve found myself often remembering the film, and have been curious to see the 1938 remake, directed by Edmund Goulding and starring Errol Flynn and David Niven as Captain Courtney and Lieutenant Scott, the roles played by Richard Barthelmess and Douglas Fairbanks Jr in the original.
Errol Flynn and David Niven
I’ve now managed to get hold of a copy of the remake, and watched it – then went back to the earlier version to see what the differences were. The thing that struck me most of all was just how similar they are – in many scenes the scripts seem almost identical, while a lot of the flying footage is clearly taken from the earlier film and sandwiched into the second version, with just Flynn’s dirty face in goggles substituted for that of Barthelmess.
After thoroughly enjoying Old Acquaintance, which teamed Bette Davis with Miriam Hopkins, I was keen to see their earlier film together, The Old Maid. I’d seen this movie described somewhere as a “soap opera”, but I think that’s very misleading. In fact, it is an adaptation of a stage play based on a novella by Edith Wharton, in her collection Old New York. While it does have elements of melodrama, it also has complicated characters, painted in shades of grey, neither impossibly good nor impossibly bad.
Bette Davis and Miriam Hopkins
Once I’d seen the movie for the first time, I got hold of Wharton’s novella and read it and then watched the film again. If anything, I was even more impressed the second time round. There are some changes to Wharton’s plot, notably moving the story to the period of the American Civil War and stepping up the character of Clem Spender, played by George Brent – but to me the portrayal of the two central women seems essentially true to the original story.
Hopkins stars as the beautiful, spoilt Delia Lovell, with Davis as her cousin, Charlotte, who is somewhat under her shadow and later becomes the embittered “old maid” of the film’s title. Davis originally wanted to play both main female roles but in a way she is already playing two parts, since Charlotte later in the film is so different from the lively young girl in the opening scenes. I’m glad the dual role was decided against, since there is so much chemistry between her and Hopkins. Watching the two portray lifelong friends, it’s hard to believe that they disliked one another so much in real life.