I was looking for a different Christmas film to watch, and this gentle MGM family movie directed by Roy Rowland, set in a small Norwegian-American community in Wisconsin and released just after the end of the Second World War, fits the bill perfectly. It was recently released in Warner Archive and is also sometimes shown on TCM. (I suppose it isn’t a Christmas film strictly speaking, but a lot of the story takes place around the season.) I’m not going to write a long review but just thought I’d post a couple of pictures, a link to the amusing trailer for the film, and a few brief thoughts – and wish everyone who visits my blog a happy and peaceful break.
I’ve just finally got round to seeing the film noir classic Scarlet Street, directed by Fritz Lang – one of the many greats I had somehow managed to miss up to now. I’m not going to write a full review, but will be going off at a tangent about the artist whose work is featured in the film, John Decker. However, on the film itself, I will briefly say that I was struck by the darkness and feeling of menace building up all the way through, and especially by the haunting final scenes, which are justly the most famous. Many copies of the movie around on the web and on budget DVDs are bad public domain prints, but the picture and sound are much better on the remastered version issued by Kino.
As a gangster film made only the year after The Public Enemy, directed by William A Wellman and starring Edward G Robinson and Loretta Young, this could have been a masterpiece. Sadly, it isn’t. The big problem is that it is supposedly set in the San Francisco’s Chinatown, but almost all the characters are played by Caucasian actors – something which was done in many films in the 1930s, but was criticised even then. I found a contemporary review from The New York Times which pointed out the wild mis-casting of Robinson.
I’m only going to write a brief review of this film, but wanted to say that it does have its moments, as you’d expect from any film directed by Wellman – and Robinson in particular has some powerful scenes despite everything. I also liked the dark, shadowy cinematography by Sidney Hickox, who worked with Wellman on other pre-Codes like Safe In Hell, The Purchase Price and Frisco Jenny – which also has scenes in Chinatown. It’s just a shame that the print I saw isn’t very good and so there are some scenes where, amid the darkness, it is hard to work out exactly what is going on.
I’ve decided I’m going to try to write slightly shorter blog postings, as I’m so short of time these days due to my work situation. But I still want to try to record some of my thoughts on the classic movies I keep watching – so my mid-year resolution is to use more pictures and fewer words!
This is one of the early Howard Hawks films I didn’t manage to see during the blogathon organised by Ed Howard earlier this year. But I’ve now caught up with it after spotting the VHS video in a local secondhand shop (it hasn’t been released on DVD in the UK) and have also read Ed’s excellent review at his Only the Cinema blog. It’s definitely a lesser Hawks offering and doesn’t really have his stamp about it, but I’m still glad to have seen it.