Continuing my efforts to watch as many William Wellman pre-Codes as possible, I’ve now seen Lilly Turner a couple of times. This movie sadly isn’t available on DVD as yet – I believe it sometimes turns up on TCM in the US, though, and is well worth looking out for. It strikes me there are easily enough early Wellman movies for a second Forbidden Hollywood collection focusing on him, though it’s more likely the lesser-known titles will turn up as Warner Archive releases.
This was the second time Ruth Chatterton had starred in a Wellman film (the first was Frisco Jenny the previous year. Once again she plays a woman who is forced to be tough by circumstances, but who still clings to a few battered ideals. This time, her character, Lilly, is a woman working in a succession of travelling carnivals. Wellman clearly enjoys creating the sleazy, down-at-heel circus atmosphere. The whole film feels varied and lively and, packing a lot of plot, dialogue, melodrama and black humour into just 65 minutes, moves at a breathless speed. (As with Wellman’s So Big!, it was originally longer and some footage was cut before release – Walter Brennan was among the actors whose scenes were deleted.) George Brent gets top billing opposite Chatterton, but he only comes into the film fairly late on – and to my mind Frank McHugh really has the main male role, as the heroine’s second husband. Robert Barrat is also superb as a tormented strongman, with a heavy German accent he was breaking in for Heroes For Sale.
Richard Barthelmess might be best known as a star of silent films, but I think he was equally good in early talkies, when his boyish looks were starting to fade. He was great as a tormented wartime aviator in Howard Hawks’ The Dawn Patrol (1930) – and he gives another powerful performance as a drug-addicted veteran of the First World War in William Wellman’s Heroes For Sale (1933). For me this is one of the strongest offerings in the Forbidden Hollywood Collection Volume Three, though it possibly goes off the boil for a bit in the middle.
This film, one of a number which Wellman made focusing on the Great Depression, follows Barthelmess’ character, Tom Holmes, from the trenches of France through to a peacetime battle in America, a march by the “forgotten men”, war veterans desperately seeking work. Both the opening in the trenches and the march of the unemployed men near the end are set amid torrential rain, which features in so many early Wellman films and seems to express the overwhelming forces bearing down on his heroes. The original working title of the film was Breadline, but it was changed to the more dramatic and bitter Heroes For Sale, underlining the theme of war veterans who can’t make a living in peacetime. However, the film isn’t just sympathetic to old soldiers, who are not particularly romanticised, but to everyone struggling in the Depression, and the hard years leading up to it.