Tag Archives: Gregg Toland

Anna Sten

This is my contribution to the Russia in Classic Film blogathon, being organised by Movies Silently. Please take a look at the great range of posts on films, stars and directors with Russian links.

Anna Sten in Nana, from the Doctor Macro website

Anna Sten in Nana, from the Doctor Macro website

She’s known as ‘Goldwyn’s Folly’ – if she gets a mention at all, that is. But, after seeing a few of her films, I feel that actress Anna Sten deserves more recognition. The Russian star  was a victim of over-hype by the studio – with failed attempts to turn her into the “new” Garbo or Dietrich, rather than creating an image around her own screen personality. She was also advertised as the “Passionate Peasant”, which didn’t sit well with the glamorous photos used to celebrate her beauty.

Either because of too much publicity, the studio’s choice of roles or for some other reason, Sten failed to set the box office alight. That’s not in doubt… but I do get fed up with the claims in reviews of some of her films that she “couldn’t act” or “lacked talent”. Her success before arriving in the US surely proves the opposite – and her acting ability also shines through in the films she did make in Hollywood.

Born in Kiev, probably in 1908 though records vary, Anna was half Ukrainian and half-Swedish. She attended theatre school and, after being discovered by legendary theatre director Stanislavsky, appeared on stage and in a number of Russian and German silent films. She went on to star in German talkies, including an acclaimed production of The Brothers Karamazov made in 1931 – I’ve just seen this and it’s a forgotten gem.

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The Wedding Night (King Vidor, 1935)

Gary Cooper and Anna Sten

I’ve been meaning to write something about this little-known but powerful melodrama directed by King Vidor, which was made under the Hays Code, but feels like a pre-Code in its sympathetic portrayal of an adulterous passion. Unfortunately I’ve left it a little too long since watching it and my memories are starting to fade, but I do want to write a brief review and post the lovely stills that I’ve collected together from this production. Gary Cooper stars as a hard-drinking and debt-ridden author suffering from writer’s block, a character said to have been based on F Scott Fitzgerald, with Anna Sten as a Polish farm girl who he falls for.  Gregg Toland’s atmospheric black and white photography helps to create a feeling of unbearable tension, especially in the later scenes.

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