I already knew Frank Sinatra was a good actor, after seeing his impressive supporting performance in From Here to Eternity. However, I didn’t realise quite how good until seeing him in this little-known noir thriller, directed by Lewis Allen, where he just burns up the screen as a hired assassin out to kill the US President.
I’ve read on various websites that Sinatra had the movie withdrawn from circulation after the assassination of JFK because it was reported that Lee Harvey Oswald had watched the film just days before carrying out the killing. However, there’s a comment at the imdb saying that Sinatra in fact had nothing to do with the decision to withdraw the movie. In any case, there are one or two chilling similarities, especially in the scenes with a sniper standing at a window – and it’s easy to see why there might have been little appetite for watching the movie after the real-life tragedy.
This tale of a drunken journalist has long been one of James Cagney’s rarest films, never released on video or DVD. It seems to be available only on the “grey market”. I do hope this film will get an official release, as there is clearly a demand for it. When I first posted this review, it was available on Youtube, but it was later taken down.
The opening 20 minutes or so, in particular, for me are Cagney at his best – almost as compelling as his performance in White Heat, made just a couple of years earlier. The rest of the movie doesn’t keep to quite that pitch, but it’s still well worth watching, with excellent performances by Gig Young and James Gleason and sharp, memorable dialogue. It was directed by Gordon Douglas, who also directed Cagney in the gangster thriller Kiss Tomorrow Goodbye, but for me this is probably the stronger movie of the two.
However, the problem with this film is in a way the same as with the much better-known Bogart and Raft movie They Drive By Night – that it starts off by giving a dramatic treatment of reality, showing a real issue facing the hero, but then spins away from the issue it’s just raised to come up with a far-fetched melodramatic plot. They Drive By Night begins with the exhausting workload of long-distance truckers, and ends with a film noir murder plot. Come Fill the Cup begins with a look at one man’s struggle against alcoholism, but turns into an also-ran gangster movie. Cagney himself was bitterly disappointed by this change of focus and the way gangsters had been worked in, just as he was trying to beat his typecasting. I’m wondering, though, if this plot was in the original book, by Harlan Ware – I can’t find a summary of its story anywhere, but did find the cover of a paperback edition on the net (unfortunately I seem to have lost the link), and it seems to feature the dancing girl Maria, who is involved in the film’s gangster plot.