I haven’t had much time for blogging lately, even for the shorter postings I keep vaguely promising – but here are a few thoughts on another Capra pre-Code melodrama, again starring Barbara Stanwyck as a fish out of water. This is said to be the movie which made her a star. Here she is working-class “party girl” Kay Arnold (though it is made fairly explicit that this is a euphemism, like “escort”) who is impulsively picked up by artist Jerry Strong (Ralph Graves) to use as a model. She soon falls in love with him, but it seems as if it is impossible to get away from her past or bridge the huge social divide between them.
Stanwyck gives a warm, vulnerable performance, as she does in other pre-Codes, and is compelling to watch. I especially enjoyed her scenes with her character’s best friend, fellow escort Dot, played by silent film star Marie Prevost. The two have a humorous relationship but definitely care about each other – and Prevost has a great scene late in the film where she runs up several flights of stairs to try to save the day for her friend. Graves is somewhat outshone by these two, plus a scene-stealing Lowell Sherman as his drunken best friend, but he does have a fair amount of chemistry with Stanwyck. (Sherman is a comic drunk in this, just a couple of years before his devastating role as a tragic drunk in What Price Hollywood?)