I’m having a short Shakespeare season on both my blogs, as I’ll soon be visiting Stratford upon Avon. And what better place to start than with Laurence Olivier? This production of As You Like It was the first time he had played a Shakespearean role on film – and it was also the first Shakespeare film to be made in Britain in the sound era, so very interesting to see from both those points of view.
Unfortunately, the DVD I picked up a while back, produced by AG Plate, isn’t of great quality – really I should have smelt a rat by spotting that the cover picture appears to be of Olivier in Hamlet, complete with blond hair. The print does not appear to be restored or remastered and there is background noise and a poor picture at the beginning, although the quality of both sound and picture improves later. However, there is now a new digitally remastered DVD in region 2, produced by Simply Media, with a lovely shot of Olivier and Elisabeth Bergner on the cover – and there is also a rather pricier region 1 version.
I’ve watched quite a few 1930s and 40s films giving down-to-earth portraits of men’s working lives, including a number about the armed services – but haven’t come across all that many older movies about women at work, or at war.
However, thanks to the UK TV station Film 4, now I’ve seen this British wartime propaganda film about the ATS (Auxiliary Territorial Service), directed and narrated by Leslie Howard, which was quite an eye-opener to me. It isn’t a masterpiece, but I think it has worn pretty well, despite the patronising title and an occasionally heavy-handed commentary from Howard, for instance, quoting lines from poems about women’s traditional role as they are seen carrying out military tasks. He is only briefly glimpsed from the rear – in what sadly turned out to be his last film appearance before his own death in the war.
After Howard opens the film by picking out seven women in a crowd at a railway station to be his heroines, the rest of the movie gives what looks to be a realistic portrayal of life for these characters, all from different backgrounds. I was impressed that there is no attempt to make any of them look particularly glamorous, and the real hard work is not glossed over. The meals and dormitories seem very realistic.