Please note I do discuss the whole plot of this film. So far I’ve written about a couple of lesser-known Douglas Sirk films. Now I’m on to one of his more famous melodramas, the glossy romance Magnificent Obsession – said to be one of the greatest weepies of all time. I’ll admit I stayed dry-eyed. For me the problem is that the soapy plot is just so far-fetched, even by the standards of this genre, and it’s hard to suspend disbelief enough to go with the emotions. Having said that, lead actors Jane Wyman and Rock Hudson are both excellent, Sirk’s direction is seductively smooth, and there are many great scenes and moments along the way.
One of those is the film’s opening. It is exciting, glamorous – and likely to hook most viewers from the start. Handsome, rich playboy Bob Merrick (Hudson) is at the helm of a hydroplane which clearly cost a fortune, ignoring warnings from bystanders as he heads out across the lake and piles on speed. In an action film, this kind of sequence would be designed to make the audience marvel at the hero’s daring – for instance, with the pre-credits stunts in Bond films. It has much the same effect in this “women’s emotion picture”, as you find yourself willing Bob to avoid the inevitable crash. Yet, at the same time as demonstrating his courage, it also shows the character’s fatal recklessness and self-absorption – something underlined by the comments of those surrounding him. “Doesn’t that guy have a brain?” “He doesn’t need to, he’s got four million bucks.”