When you look at the list of Robert Wise’s movies, it seems amazing that he isn’t better-known – which is why it is so good that Joshua over at Octopus Cinema has organised a blog-a-thon about his work, to which this is a contribution.
Somebody Up There Likes Me, starring Paul Newman and Pier Angeli, is one of my favourites out of his movies that I’ve seen so far, and if anything it seems to get better with repeated viewings. I hesitated before watching because, on the face of it, it’s a boxing movie – a biopic of world middleweight champion Rocky Graziano, based on his autobiography – and I’m not a fan of the sport. However, it’s really far more than that, showing how Graziano, originally called Barbella, grew up in poverty and dabbled in crime before turning his life around, and the fight scenes, powerful though they are, take up only a relatively small part of this movie.
After first seeing the film on TV, I’m very glad I got hold of the DVD, since it has a good commentary track with detailed reminiscences by Wise himself as well as contributions from Paul Newman and Martin Scorsese. Film historian Richard Schickel mentions in the commentary that one reason Wise is sometimes overlooked might be that he isn’t identified with any particular genre, but worked in just about all of them. Bearing this out, it strikes me that this film alone touches on many genres in the space of under two hours – starting out as a cross between a gangster movie and a film about juvenile delinquents, then turning into a prison movie and briefly an army one before it really gets into the boxing story, which is also a romance. The film focuses just as much on Rocky’s relationships with his mother (Eileen Heckart) and his girlfriend and later wife, Norma (Angeli) as it does on the boxing. Indeed, the posters and lobby cards I’ve seen, possibly designed to persuade women to go to a boxing picture, seem to go more on the romance than on the fighting.
Continue reading “Somebody Up There Likes Me (1956)”