Great Expectations (David Lean, 1946)

Great Expectations 1946 8

I didn’t have time to update my blog yesterday and, realistically, my blogging might be a bit hit and miss now as Christmas arrives, but I will try to write new postings as frequently as possible, even if my Dickens in December season ends up stretching into January. Just a few thoughts today on one of the greatest of all Dickens films.

In every adaptation of Great Expectations that I’ve seen (and there have been many, including two in the past year alone, both of which were disappointing, to me anyway), the beginning is one of the best scenes. The sight of the convict looming from behind the tombstone always makes a powerful impression – and its sense of danger  is always there in the background behind everything that follows. However, the most unforgettable version of this opening on screen has to be the first scene of David Lean’s famous film, with young Pip (Anthony Wager) running across the windswept Kent marshes, and enduring his nightmare encounter with Magwitch (Finlay Currie).

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A Tale of Two Cities (Ralph Thomas, 1958)

Dirk Bogarde as Sydney Carton
Dirk Bogarde as Sydney Carton

In the UK, the 1958 Rank Organisation adaptation of A Tale of Two Cities, starring  Dirk Bogarde, is probably better-remembered than the 1935 MGM version. The 1950s film is the one that’s widely available here (there’s even a special edition DVD), whereas the 1930s version has never been released on DVD in the UK at all and has to be specially ordered on import. I think it is a pity that the later version seems to have edged out the Ronald Colman film, which to me is by far the greater of the two, with its lavish production values and strong script. But, having said that, the 1950s version is well worth seeing in its own right, and Bogarde makes the role of Carton his own, giving a performance which is perhaps as moving as Colman’s, though very different. I also like Dorothy Tutin as Lucie – I’ve seen her criticised as too sweet, but she does bring some humour to her quiet portrayal of a heroine who has to spend a lot of time waiting in the background.

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