After seeing two earlier Howard Hawks movies about flying, The Dawn Patrol and Ceiling Zero, I couldn’t resist watching his most famous airborne drama. Not surprisingly, I loved this one too. I’ve now watched it twice and am sure I’ll be returning to it in the future.
Hawks wrote the original story which was the basis for the Jules Furthman screenplay of Only Angels Have Wings, and set it in the same world as Ceiling Zero. Again he focuses on a small close-knit group of mail pilots who are determined to make sure the letters get through on time, whatever the weather, even at the cost of their lives. The sheer number of dead and injured by the end of the film makes it feel almost like a drama set in a war zone – except that here the enemies are fog, hills, trees and passing birds.
However, intertwined with all the melodrama, there is also a strong element of humorous romance, making it hugely entertaining to watch. At times the quickfire dialogue between Cary Grant and Jean Arthur almost seems to be taken from a screwball comedy like Hawks’ His Girl Friday. The blend of deadly danger and love works brilliantly, even if at times the plot twists seem a little unlikely.
Jean Arthur’s character, travelling piano player Bonnie Lee, doesn’t know quite what she is getting into when she gets off the boat in a small South American town. She is chatted up by two handsome young pilots, who offer to buy her a drink – but, next thing she knows, they are both being packed off to work, and their boss, Geoff ‘Pop’ Carter (Grant) is the one turning his charm in her direction.