Dallas (Stuart Heisler, 1950)

dallas 1I’ve been watching a few 1950s Westerns lately, and enjoyed this gorgeously-filmed Technicolor offering from the start of the decade, starring Gary Cooper. It’s one of his lesser films, and rather uneven, with some unbelievable plot twists, but still a good role for him. Cooper plays a haunted man – a former Confederate officer, Blayde “Reb” Hollister, who has lost everything in the war. For Reb, the conflict is still going on, as he turns  outlaw and has a price on his head. Ruth Roman stars opposite Cooper, with Leif Erickson, Raymond Massey and Steve Cochran also featuring in a fine cast.

Cooper was pushing 50 when he made this, and his leading-man looks are noticeably fading. But his weary, melancholy features make his role as a lonely outsider all the more poignant. His character is someone who has been left behind, and is trying to make his way in a world which has moved on without him. This reminded me of Bogart’s character in a film director Stuart Heisler made the previous year, Tokyo Joe, who is also emotionally stranded after a war, though in his case it is the Second World War.  (Both films also have a strong focus on love triangles, as does Blue Skies, the only other Heisler film I’ve seen, which, as a Bing Crosby and Fred Astaire musical,  is otherwise worlds away from this one, )

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