Meet Danny Wilson (Joseph Pevney, 1951)

This is my second contribution to the Sinatra Centennial Blogathon, which I’m hosting together with Emily from The Vintage Cameo. Emily is hosting the last two days of this event, so please head over to her site to see the latest postings.  My first contribution was Frank Sinatra and Bing Crosby.

Meet Danny Wilson 1It’s not one of Frank Sinatra’s better-known films, and was released as his career was heading for the rocks in the early 1950s. Yet Meet Danny Wilson, an uneven melodrama laced with music and comedy,  contains some of his finest singing, and also gives hints of the acting triumphs which were to come. Made in black-and-white, this film was produced on a low budget and is admittedly no masterpiece, but all the same I really enjoyed it and found it a great way to celebrate his centennial.

In particular, he gives an absolutely spellbinding performance of She’s Funny That Way. The film is also interesting to watch because there are quite a few echoes of Sinatra’s real life, something which was commented on at the time. The film is available on DVD in the UK/region 2, from Eureka, but looks as  if it is harder to get hold of for those of you in the US. The UK DVD, which I own, has pretty good picture quality, but no extras except for the original trailer.

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He Ran All the Way (John Berry, 1951)

This is my contribution to the John Garfield centenary blogathon being organised by Patti at They Don’t Make ‘Em Like They Used To. Please do visit and take a look at the other postings.

He Ran All the Way 2John Garfield’s last film is one of his greatest – yet it tends to be known more for the shadows which were gathering around him in real life than for those on screen. It was made a year before he died, at a time when the actor was being pursued just as relentlessly as his character is in the film, and it is impossible not to think about the parallels as you watch. Indeed, the whole film carries echoes of the McCarthy witch-hunt and many of those involved with it, including director John Berry and screenwriter Dalton Trumbo, were being persecuted along with Garfield. However, there is a lot more to this movie than its historical/biographical context and I would definitely recommend it to anyone who admires Garfield’s better-known films noir, such as Force of Evil and Body and Soul. Sadly it hasn’t as yet had a DVD release in region 1, but I can recommend the region 2 release from Optimum, which has fine picture quality, although there are no extras – not even a trailer. (You can also find the film in segments at Youtube, but I don’t know what the quality is like. )

This is a taut, disturbing noir, with superb camerawork by the great James Wong Howe – I’m including a link to a clip of the opening, on Youtube, to give a taste. It begins in the middle of a nightmare, as the camera slowly pans into a dark, untidy room, in a long shot which finds Garfield’s character, small-time criminal Nick Robey, lying in bed, sweating and shaking. Then his mother roughly wakes him and the two go straight into a row, which is just the start of a waking nightmare lasting for the rest of the film. The title is He Ran All the Way, but for most of the film Nick has nowhere to run.

Here’s a link to a brief clip of the film’s start:

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More Wellman on DVD

William Wellman and Dorothy Coonan on the set of 'Wild Boys of the Road '

It’s been a while since I did any full reviews of William A Wellman movies here, but I have been watching more of his work in the meantime and have updated my Wellman page with brief details of all the films of his I’ve seen so far (40-plus.) I do also have a couple more of his films which I haven’t got round to watching yet, and there are a few more available which I haven’t bought yet, so I will carry on updating, and hopefully review some more of them too.

Anyway, I’m delighted to say that my page is already getting out of date, because Warner Archive has just announced that it is releasing three more of his titles on DVD. I’m especially excited at the release of his great pre-Code Safe In Hell (1931), starring Dorothy Mackaill in a brilliant performance as an ex-prostitute who runs away to a Caribbean island after killing an ex-boyfriend.

The other two are later titles, which I haven’t seen as yet. One is My Man and I (1953), starring Shelley Winters as an alcoholic bar girl befriended by Mexican farmhand Ricardo Montalban. The other is Wellman’s very last film, Lafayette Escadrille (1958), starring Tab Hunter and David Janssen, and with a small part for Clint Eastwood. This returns to the theme of the director’s first big success, Wings, by focusing on First World War flyers. I have seen an interview with Wellman where he talks about this film and about how upset he was by the studio changing his ending and also imposing a title –  he had already had a lot of interference with many other films, but you get the impression this one broke his heart. (He himself  didn’t fly with the Lafayette Escadrille, as usually stated, but with the Lafayette Flying Corps.) Anyway, this film is already available on a French DVD from Warner, but this is said to be a remastered edition, so I’m not sure which would be the better buy. The French DVD is probably a pressed one rather than a DVR, but maybe this is a better print?

It’s also good to hear that classic screwball comedy Nothing Sacred (1937), starring Carole Lombard and Fredric March, is being released by Kino on both DVD and Blu-ray on December 20 in a new “authorised edition from the estate of David O Selznick and the collection of George Eastman House). Should be much better than all the faded public domain copies on the market!