Mystery of Edwin Drood (Stuart Walker, 1935)

Claude Rains and Zeffie Tilbury

I’ve been planning to review a few Dickens films to mark his bicentenary, and am now beginning at the end of his career – though I do plan to write about adaptations of some of the earlier novels too! I will be discussing the whole plot of Drood in this review, including the ending of the 1935 film and also of the most recent BBC adaptation. As a lifelong Dickens fan, I like all his novels and have read them all many times over the years. But his last, dark masterpiece, The Mystery of Edwin Drood, holds a special fascination for me, as for many other readers – from its stunning dream opening in the opium den through to its abrupt breaking off when the author died. The book’s real power lies not in the endless controversy over how it would have ended, but in the tortured double character of John Jasper, lay precentor of the cathedral by day and drug addict by night. (I’ve read an article somewhere pointing out the similarity between Jasper and Stevenson’s Dr Jekyll and Mr Hyde, which had already been adapted for the screen twice when Hollywood turned its attention to Dickens’ novel.)

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