Meet Danny Wilson (Joseph Pevney, 1951)

This is my second contribution to the Sinatra Centennial Blogathon, which I’m hosting together with Emily from The Vintage Cameo. Emily is hosting the last two days of this event, so please head over to her site to see the latest postings.  My first contribution was Frank Sinatra and Bing Crosby.

Meet Danny Wilson 1It’s not one of Frank Sinatra’s better-known films, and was released as his career was heading for the rocks in the early 1950s. Yet Meet Danny Wilson, an uneven melodrama laced with music and comedy,  contains some of his finest singing, and also gives hints of the acting triumphs which were to come. Made in black-and-white, this film was produced on a low budget and is admittedly no masterpiece, but all the same I really enjoyed it and found it a great way to celebrate his centennial.

In particular, he gives an absolutely spellbinding performance of She’s Funny That Way. The film is also interesting to watch because there are quite a few echoes of Sinatra’s real life, something which was commented on at the time. The film is available on DVD in the UK/region 2, from Eureka, but looks as  if it is harder to get hold of for those of you in the US. The UK DVD, which I own, has pretty good picture quality, but no extras except for the original trailer.

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Kings Go Forth (Delmer Daves, 1958)

kings go forth 1Please note I do discuss the whole plot in this review. Second World War melodrama Kings Go Forth is one of the Frank Sinatra films from the 1950s which tends to get overlooked.  Some aspects of the love triangle story have dated – I’ll come on to those later – but it is still a film worth seeing.  After having now seen it a couple of times through showings on the UK TCM, I have found it growing on me and especially like Sinatra’s delicate, understated central performance. Tony Curtis and Natalie Wood both do their best with difficult roles, and the sweeping black-and-white views of the French Riviera are memorable, as is the melancholy Elmer Bernstein score.

The trailer feels more soapy than the film itself, but gives a glimpse of the three leads, and is also interesting in the way it focuses on the source books for Sinatra’s films.

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