I must admit that, overall, the 1933 version of Oliver Twist is one of the weakest Dickens films I’ve seen. It is nowhere near the quality of David Lean’s famous adaptation, or even of the 1922 silent film starring Jackie Coogan which I reviewed here recently. I’m glad to have seen it, and think it has one or two powerful sequences, in particular towards the end of the film – but in general it is a disappointment, and I’m only going to write a brief review.
The film was made by a Poverty Row studio, Monogram Pictures, and does not have the production values of Dickens films made by larger studios. Its budget must have been a tiny fraction of the money spent on the great MGM films of 1935, David Copperfield and A Tale of Two Cities. Despite being only around 70 minutes long and losing much of the novel’s plot, the film, directed by the little-known William J. Cowen, seems painfully slow and stilted much of the time. (It may have originally been longer, as some characters are listed who don’t actually appear in the film.)
I’ll soon be writing about Wellman’s A Star Is Born (1936), but first wanted to post a few thoughts about a couple of earlier movies which have links with it. One, of course, is What Price Hollywood? (1932), George Cukor’s great pre-Code drama which is said to have been the inspiration for Wellman’s film. But there was also a lesser-known movie released just one month before Cukor’s, which also had a plot strand of a younger woman trying to save a talented older man from his drink problem – the courtroom comedy-melodrama State’s Attorney (1932), directed by George Archainbaud and starring John Barrymore and Helen Twelvetrees. I’ve now seen this twice and really think it deserves to be better-known – both the leads are brilliant, and the dialogue is very sharp and witty. Sadly it isn’t on DVD, though it did get a US release on VHS. I think it does sometimes get shown on TCM in the US, though, and at present it is available for streaming on “YT”, though the picture isn’t that great. (I also found the film stuck in the second “reel”, but was ok if downloaded to view on realplayer).